This feature film is the story of a boy and a girl by the names of Emad and Tooba from the age of 6 and 4 until their old age. A couple who recognized their goals in their teenage years and succeeded in implementing and fulfilling their dreams both professionally and economically economy; Emad wanting to be a movie director and Tooba wanting to be a theater actor.

The story of a young girl named Satayesh, who, in order to save her brother Mohammad, seeks his friend’s, Tahir Ferdous, help but her brother is killed at the border and Tahir is imprisoned. With the consent of Mohammad’s family, Tahir Ferdows is freed from prison and since he is fascinated and enamored by Setayesh, he marries her, despite the opposition of both families, and has two children, a girl and a boy. When Tahir gets killed in the conspiracy plotted by “Anis”, the other daughter-in-law of the Ferdows family, Setayesh’s life gets complicated and she moves to another city.

The story of three young men by the names of Habib, Maziar, and Masoud, who, in spite of having a bachelor’s degree, have not been able to find a suitable job or get married and, therefore, decide to continue their education and get a master’s degree. After achieving this goal, they still face problems. Habib falls in love again, but due to his weakness in establishing social relations, he cannot manage this issue. Maziar and Masoud, who still cannot meet their living expenses, regularly borrow money from their rich friend, Habib.

This documentary is about two issues. A) an attempt to test the possibility of forming a relationship between the people admitted in a mental asylum, and B) the filmmaker’s bitter experience of meeting and living with a person who is now one of these mental patients.

A narrative of the life and struggles of Ayatollah Hossein Shahroudi (a Shiite religious scholar) from his birth in Shahroud to his demise in Najaf.

Imagine an obsessive - compulsive housewife, a conspiracy-minded war veteran, an intellectual ballerina, a methodical farmer, and aprofessional coach potato all trying to get along except, map those personality types to a chicken, a dog, a sheep, a cow, and a donkey. The result is something explosive.

What distinguishes Na’in from other historic cities of Iran is not the grandeur or magnificence of its monuments, but its authenticity and remarkably well-preserved character. Unlike many historic cities where the old urban fabric has been lost amid modern construction, in Na’in, visitors can still experience a traditional desert city in its entirety, with all its distinctive elements intact.

North Khorasan is a region of remarkable ethnic, cultural, and linguistic diversity, home to Kurds, Turkmens, Khorasani Turks, Tats, and Persians. This cultural plurality is also reflected in the region’s architecture.

And suddenly, it is as though the curtain rises on the final scene of a magnificent performance. The light, space, and scents change all at once. You find yourself standing at the threshold of a spacious, square or rectangular space, flooded with light, with the sky as its ceiling.

To understand Qeysarieh Bazaar, one must first understand Naqsh e Jahan Square as the beating heart of an empire. Built in the early seventeenth century by order of the Safavid Shah Abbas I, the square was a vast and unique multifunctional space that brought together political power, represented by Ali Qapu Palace religious power, represented by the Imam Mosque economic power, represented by Qeysarieh Bazaar. and social life, represented by the public square itself, within a single, harmonious, and magnificent spatial composition.

In the southeastern Iranian plateau, on the edge of the scorching Lut Desert and at the foot of towering mountains, lies a city that has shone like a jewel in the heart of the desert for centuries. Kerman, this ancient and resilient city, with a history reaching back to the Achaemenid period and even to Iranian mythology, is one of Iran’s most important yet relatively overlooked centers of civilization. Kerman can be described as the “City of Windcatchers and Desert Gardens”—a city where architecture evolved not to fight against the harshness of nature, but to coexist with it in a peaceful and intelligent way. Here, soaring windcatchers blend with lush, paradise-like gardens, offering a remarkable story of the ingenuity, patience, and creativity of the people who have made their home in the desert.

What message do Iranian tomb gardens have for the modern world? In an age when death in modern culture has often become hidden, sanitized, and detached from everyday life, Iranian tomb gardens remind us that a tomb can—and should—remain a living part of the urban fabric and the lives of its people.

Makhtumqoli Faraghi (Magtymguly Pyragy in Turkmen dialect) was a Turkmen spiritual leader and philosophical poet, whose position and his poems in Turkmen literature and culture is unparalleled.

iranians had the art of art since the ancient time , but the arrival of islam to iran played a special role in strengthening some art such as architecture .

The contemporary history of Iran has many ups and downs, and Al-Montakhab min Tarikh Iran (The Selection from the History of Iran) is an attempt to provide an overview of these ups and downs.

The purpose of compiling Stories of the Righteous is to explain ethical and educational points in simple language for the young generation of society.

Divine religions establish principles for their followers, and Ethics in Islam seeks to explain Islamic moral principles for its own adherents.

Modernity has distracted man from spirituality and caused him to become alienated. Therefore, another path must be taken...

Bakhshu Khwani is a style of eulogy that Jahanbakhsh Kurdizade performed with his special musical technique and sad tone.

Barbat is an Iranian instrument that may seem to be the same as the Arabic oud to common people. However, the longevity of this instrument is much more than that of oud.

The patriotic song “Ey Iran Ey Marz-e Porgohar” was composed and sung while Iran was under the occupation of the Allied Forces and was going through bitter days.

A percussion instrument, which was used to announce important events in the past but has multiple uses today.

Tar (Persian: تار) is an Iranian[1][2][3][4] long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan ( Iranian Plateau) and others near the Caucasus and Central Asia regions.

Bakhtiari folk music is the manifestation of Bakhtiari culture and the one played to welcome the spring and Nowruz is full of joy and delight.

Caricature is another branch of the visual arts that involves the exaggeration, distortion, and amplification of human, animal, or object features while maintaining a visually recognizable likeness.

Master Gholamhossein Amirkhani is considered one of the enduring figures of Iranian calligraphy in the Nasta‘liq style and the most renowned contemporary calligrapher, having played a significant role over the past forty years in the development and promotion of this authentic Iranian-Islamic art.

Mirza Gholamreza Esfahani, a renowned calligrapher of the Qajar era, is considered a distinguished figure in the history of Iranian calligraphy, having produced first-rate works in various scripts.

Mirza Mohammad Hossein Sifi Qazvini, known as Emad al-Ketab, is considered one of the most prominent figures in the history of Iranian calligraphy in the Nastaʿlīq style and the final link in the golden chain of the old masters of this distinguished Iranian-Islamic art. Living during the Constitutional Revolution era, he used his exceptional talent, abundant creativity, and tireless effort to serve as the connecting point between contemporary calligraphers and the school of Mirza Mohammad Reza Kalleh.

Iranian calligraphy is a part of Islamic calligraphy in Iran and the field of Iranian civilization

Sculpture is a branch of the visual arts in which the artist, inspired by both nature and imagination, shapes a variety of materials such as stone, wood, clay, plaster, metal, glass, wax, or paper. Through the use of hands, tools, and diverse techniques—including addition, subtraction, cutting, and reshaping—the artist creates a tangible, three-dimensional form.

The name of Ayatollah Seyyed Hassan Modarres is a reminder of years of efforts and struggle against tyranny

Ali Esfandiari, popularly known as “Nima Yushij”, the contemporary Iranian poet and nicknamed the father and founder of modern Persian poetry, was in the Yush district of the Mazandaran province of Iran born on November 11, 1897

Seyyed Mohammad Hossein Bahjat Tabrizi, popularly known as Shahriyar and the renowned Iranian poet who composed poems in Persian and Azari languages, was born in the suburban areas of the city of Tabriz on 21 March 1904 CE.

Baba Taher of Hamadani, popularly known as “Baba Taher Oryan” was the Iranian mystic, poet, and couplet composer of the 11th century CE.

According to Ibn Khaldun, Nasir al-Din Tusi has been the greatest Iranian scientist of the post-Islamic era.

Being a great personality, many stories have been told about Attar Neyshaburi’s life.

“Yalda”, which is of Syriac origin and means rebirth, is the name that Iranians have given to the longest night of the year and the last night of autumn, and they have been honoring it since eight thousand years ago.

Haft-sin is a special arrangement symbolizing the Iranian New Year (Nowruz), which is beautifully designed and comprises seven things starting with the letter “sin” of the Persian language alphabet.

On the eve of the 15th day of the month of Sha’ban, the people of Ahmadabad of Ardakan welcome the grand Mid-Sha’ban festivity by giving sweets and gifts to their children.

On the eve of Eid al-Adha, the people of Khvorvandeh Village gather next to the spring they consider to be blessed and perform a special ritual.

Faragheh is one of the green villages of Abarkuh County, which is famous for its rituals performed on the day of Eid al-Ghadir.

An annual ceremony held by the people of Kashan to convey the message of standing by truth and defending the oppressed.

Kousha University of Applied Science and Technology: A higher education institution dedicated to enhancing students’ scientific and technical knowledge and equipping them with the skills needed to undertake practical and industrial projects.

Karaj Sugar Applied Science and Technology Center: Bridging Skills-Based Education, Industry, and Entrepreneurship to Meet the Needs of the Country’s Industries

Isfahan City Center Comprehensive Center for Applied Science and Technology: A Modern Institution for Skills-Based Higher Education, Adopting a Practical Approach Aligned with Labor Market Standards.

Kermanshah University of Technology aims to train specialized professionals, meet the needs of industries in Kermanshah Province and western Iran, and advance the development of modern technologies across various industries.

Qom University of Technology: A University Focused on Engineering and Technology Education, Fostering an Innovative Environment for Training Professional Engineers

Shahid Ashrafi Esfahani Non-Profit University: Providing Quality Education, Advancing Academic and Research Activities, Enhancing Society’s Cultural Standards, and Educating Competent Graduates